Saving Endangered Crafts: Introducing Heritage NL's Newest Batch of Mentor-Apprentice Participants

Mentor and apprentice pair Jennifer Morgan and Virginia Stoddart in Jennifer's printing studio. 

From birch brooms to beading, traditional skills at risk of being lost in Newfoundland and Labrador just got a boost from Heritage NL.

Twenty new projects from all across the province that pair a learner with an experienced craftsperson have been given the green light by Heritage NL, the provincial agency that deals with historic places and living heritage. This adds to a set of partnerships established earlier in the year.

The Heritage NL Mentor-Apprentice Program is a one-on-one immersion program that provides funding up to $10,000 to support the teaching of endangered crafts and skills from an established mentor to an apprentice craftsperson or tradesperson.

“The traditional craft sector is an important part of our contemporary economy, especially in rural areas,” says folklorist Dale Jarvis, Executive Director of Heritage NL. “We are excited to support these tradition bearers and entrepreneurs in learning and promoting skills and crafts that otherwise might fade away.”

The participants will have up to a year to work together, teaching and learning a variety of skills including spruce root basket making, blacksmithing, coopering, and sealskin work. Applications for this pilot program are now closed. For more information about the Heritage NL Craft at Risk List or Mentor-Apprentice Program see heritagenl.ca/programs/craft-at-risk/.

This program is supported by the Labour Market Partnerships program, Department of Immigration, Skills and Labour, Government of Newfoundland and Labrador.

The approved mentor/apprentice projects are as follows:

Beadwork
Mentor Bonnie Miller, Norris Arm North, with apprentice Starlynn Shears-Osmond, Grand Falls-Windsor.

Blacksmithing
Mentor Ian Gillies, Conception Bay South, with apprentice Sarah MacAulay, Mount Pearl;
and
Mentor Dennis Flood, Change Islands, with apprentice Timothy Penton, Joe Batt’s Arm.

Coopering
Mentor Lester Cooper, Trinity, with apprentice Darren Hookey, Trinity.

Bodhran making (Irish frame drum)
Mentor Paddy Mackey, Flatrock, with apprentice Bryan Poirier, St. John’s.

Komatik building (winter sled with runners)
Mentor Adam Greening, Port Blandford, with apprentice Joey Efford, Port Blandford;
and
Mentor Walter Fowler, Capstan Island, with apprentice Peter Fowler, South Branch;
and
Mentor Alfred Winters, Happy Valley-Goose Bay, with apprentice David Chaulk and Francine Winters, Happy Valley-Goose Bay.

Letterpress printing
Mentor Duncan Major, St. John’s, with apprentice Katie Butler Major, St. John’s;
and
Mentor Jennifer Morgan, St. John’s, with apprentice Virginia Stoddard, Bay Bulls;
and
Mentor Marnie Parsons, Tors Cove, with apprentice Abigail Hann, Port Blandford.

Mi’kmaq style moccasins
Mentor Loretta John, Conne River, with apprentice Kevin Drew, Conne River.

Millinery
Mentor Charlotte Reid, St. John’s, with apprentice Erica Dawe, St. John’s.

Running birch brooms
Mentor Richard Park, Gillams, with apprentice Michelle Park, Corner Brook.

Sealskin work including slippers and mittens
Mentor Barb Rumbolt, Mary’s Harbour, with apprentice Niki Greeley, Mary’s Harbour.

Spruce root basket making
Mentor Eileen Murphy, Corner Brook, with apprentice Sandi Yates, Gillams.

Weaving skills
Mentor Morgaine Parnham, Bonavista, with apprentice Sylvie Mitford, Bonavista.

Window/Door Making
Mentor David Winsor, Broad Cove, with apprentice Ben Marx, St. John’s.

Wriggle fence building
Mentor Guy Barnable, Ferryland, with apprentice Eric Escudero, St. John’s;
and
Mentor Jody Chaulk, Bloomfield, with apprentice Gracie Russell, Lethbridge.


For more information or photos, contact:

Dale Jarvis
Heritage NL
dale@heritagenl.ca
https://heritagenl.ca/programs/craft-at-risk/ 

Stay tuned to Heritage NL's social media for updates on our Mentor-Apprentice program!

Photo submitted by Niki Greeley.
Niki is an apprentice in sealskin work including slippers and mittens. 

Tacking the skin on a bodhran drum. Photo submitted by Paddy Mackey.
Paddy is a mentor for instrument making, specifically bodhran drums. 

Ian Gillies with an anvil in Rendell's Forge in Heart's Content.
Ian is a blacksmith mentor.

Saving Endangered Crafts across Newfoundland and Labrador: Introducing Heritage NL's Mentor-Apprentice Participants

Colourful wooden boat created by Newfoundland artist Jerome Canning.

From boatbuilding to bark tanning, traditional skills at risk of being lost in Newfoundland and Labrador just got a boost from Heritage NL.

Nine projects from all across the province that pair a learner with an experienced craftsperson have been given the green light by Heritage NL, the provincial agency that deals with historic places and living heritage. 

The Heritage NL Mentor-Apprentice Program is a one-on-one immersion program that provides funding up to $10,000 to support the teaching of endangered crafts and skills from an established mentor to an apprentice craftsperson or tradesperson. 

“The traditional craft sector is an important part of our contemporary economy, especially in rural areas,” says folklorist Dale Jarvis, Executive Director of Heritage NL. “We are excited to support these tradition bearers and entrepreneurs in learning and promoting skills and crafts that otherwise might fade away.”

The participants will have a year to work together, teaching and learning a variety of skills including weaving, making traditional Labrador clothing, and manufacturing Uilleann (Irish) bagpipes. There are two more opportunities for people interested in traditional skills to apply to the program, February 10 and April 10, 2022, with more information online at heritagenl.ca. 

This program is supported by the Labour Market Partnerships program, Department of Immigration, Skills and Labour, Government of Newfoundland and Labrador.

The approved mentor/apprentice projects are as follows:

Labrador duffle work, (a pure wool fabric originally used for blankets and coats).

Mentor Joyce Lee, Red Bay,  with apprentice Miranda Rumbolt, Mary’s Harbour.  

Rodney punt design and construction

Mentor Jerome Canning, St. John’s, with apprentice Chris Hogan, St. John’s.

Bark tanning 

Mentor Susan Furneaux, Conception Harbour, with apprentice Nicole Travers, Lark Harbour.

Uilleann (Irish) bagpipe making

Mentor Neil O'Grady, Carbonear, with apprentice Robert Brown. 

Wild food processing and preserving

Mentor Lori McCarthy, St. John’s with apprentice Tina White, Mount Pearl.

Labrador cossack (dickie) making

Mentor Charlene Rumbolt, Mary’s Harbour, with apprentice Katie Lee, Red Bay.

Weaving skills

Mentor Stephanie Stoker, St. John’s, with apprentice Chantelle Evans, Makkovik;

and

Mentor Megan Samms, Katalisk / Codroy Valley, with apprentice Jane Walker, Bonavista;

and

Mentor Jessica McDonald, St. John’s, with apprentice Christian Dauble, St. John’s.

For more information or photos, contact:

Dale Jarvis

Heritage NL

dale@heritagenl.ca

https://heritagenl.ca/programs/craft-at-risk/ 

Take a look at some of the beautiful work our apprentices have made. More details on our Mentor-Apprentice program to come!

A beaded shield. Bark Tanning work created by apprentice Nicole Travers.

Storage of Japanese Knotweed - a Foodways preservation technique credited to apprentice Tina White.

Goose Eye Weaving by apprentice Chantelle Evans.

Duffle work courtesy of mentor Joyce Lee.

On the loom - Weaving in process by apprentice Chantelle Evans.

Linen weaving by mentor Stephanie Stoker.

Mentor Susan Furneaux's "Small Landscape" bark tanning.

Apprentice Jane Walker's first completed woven scarf.

A woven baby blanket by apprentice Christian Dauble.

Wicker work and woven furniture in Newfoundland - Have you seen a chair like this?

I've been scanning some photos from North River and Halls Town in Conception Bay, as part of an ongoing project we have there. If you are on Facebook,  you can look at all those photos in the North River Halls Town Memories group.

One of the photos is scanned from a slide from the Baccalieu Trail Heritage Corporation, circa 1994. I have no information for it, but am assuming it came out of a house in North River, and was photographed when the Heritage Corp was doing heritage inventory work there in the 1990s. It shows a wicker rocking chair, painted white. I don't know if it was made locally or imported, but I'd love to have more information on it, or pieces like it.

Back in 2012, I photographed the woven bassinet below, owned by the Barnable family. It was purchased in 1959, and was made as part of a craft training program run by the Canadian National Institute for the Blind (CNIB). You can see more on that here.

If you have any pieces of Newfoundland (or Labrador) made woven furniture or basketry, or if these spark a memory for you, email me at dale@heritagenl.ca or comment below.

Where are the Looms? Help HeritageNL track down the province's looms and weavers.

A new group is turning to social media to track down some old technology - the wooden weaving looms that might be hiding in attics or basements somewhere in the province.

“A loom is the apparatus used for the purpose of weaving cloth,” says textile artist and researcher Jessica McDonald. “Its rudimentary principle is to hold threads under tension. Whether it be a floor loom, table top loom, or tapestry loom, its main purpose is to facilitate the weaver in creating a cloth”

McDonald is a recent graduate of the Nova Scotia College of Art and Design, who creates her own textile art, teaches, and researches weaving and craft in Atlantic Canada. She has recently created a woven piece for the “Newfoundland through a Window” Exhibition located at the Arts and Culture Center in Corner Brook.

McDonald’s work is the most recent chapter in a long history of weaving in Newfoundland and Labrador. From the days of the Grenfell Missions and the Jubilee Guilds, to the craft revival of the 1970s and the current makers movement, looms have been constantly busy in the background of the local craft scene.

“We want to find those old looms, some of which were hand-made, and figure out who the old weavers were,” says McDonald.

In addition to looking for old looms, the group is hoping to compile a list of living people in the province with weaving skills, as well as collecting old photos, stories, or memories of family members who used to weave.

“People who hold the knowledge of our various heritage crafts seem fewer in number, year by year,” says Heritage NL folklorist Dale Jarvis. “We want to document what has been lost, but also to record who still knows today how to make the tools and objects of yesterday.”

In response to what they see as a craft tradition at risk, Heritage NL has started up a Facebook group called “Weavers and Spinners of Newfoundland and Labrador” and will be hosting a “Where are the Looms?” online forum Thursday, April 9th at 11am, open to all interested in the textile heritage of the province, weavers and non-weavers alike.  The event is free, but pre-registration is required at www.heritagecraft.ca

Take the NL Heritage Craft at Risk Survey!

How many people do you know who can run a birch broom, weave a basket, or make a tea doll? At one point, makers of these types of objects were commonplace in Newfoundland and Labrador. Today, the practitioners of these heritage crafts seem to fewer in number, with fewer people having the knowledge of how to make the tools, objects, and crafts of yesteryear.

Heritage NL and the Craft Council of NL are concerned about this loss of traditional know-how, and are working together to compile a list of makers, craft producers, and skills in decline.

The Heritage Craft at Risk survey is a joint project of the two organizations, which aims to assess the current viability of traditional heritage crafts in NL, and to identify those crafts which are most at risk of disappearing. The project also aims to create a list of heritage crafts in NL, accompanied by information about each craft and whom may practice it.

"Living in the middle of the Atlantic Ocean our craft producers have spent years using their heritage of English, Irish, French, and Indigenous ancestors to grow their creativity and developed a true sense of place that is one of a kind,” says Rowena House, Executive Director of the Craft Council of NL.

“Newfoundland and Labrador has such a unique and diverse range of craft skills that supports some of the best craftspeople in the world,” she adds. “These skills will only survive if they continue to be taught through each generation. They provide a tangible link to our roots, and they are part of our shared heritage.”

With the survey, organizers are asking craft producers, makers, and builders to provide feedback on the current state of the heritage craft form they are most familiar with in Newfoundland and Labrador. The survey covers topics such as the number of makers currently practising specific skills, and issues limiting the health of craft in NL.

Organizers hope that the future Heritage Craft at Risk List will help safeguard, document, and stimulate production of contemporary, traditional, and Indigenous craft. They are looking for feedback from anyone at any level of practise, from professional or amateur craft producers, and from traditional makers of objects ranging from snowshoes to dry stone walls.

“When people think of craft, they often think of things like knitting or rug-making,” says Heritage NL folklorist Dale Jarvis. “We certainly want information on the health of those traditions, but we are just as concerned with things like tinsmithing, fly tying, or making komatiks and slides.”

Interested makers and craft producers can take the survey online at www.heritagecraft.ca, at one of the public sessions to be held over the summer, or by calling Rachael at the Heritage Craft At Risk toll-free hotline at 1-888-739-1892 ext 6.


Public Sessions
Monday, August 12th
7pm Anna Templeton Centre, Duckworth Street, St. John’s

Wednesday, August 14th
7pm SUF Hall, Winterton

Register for the public sessions online at:
https://www.eventbrite.ca/e/heritage-craft-at-risk-public-sessions-tickets-64797180110

Saving traditional Newfoundland knitting patterns - Christine LeGrow is the focus of this month's Living Heritage Economy Case Study!

We have an early Christmas present for you - the next in our Living Heritage Economy Case Studies!

This month, we are delighted to showcase the work of Christine LeGrow and Spindrift Handknits. Christine LeGrow was born and raised in Newfoundland, and has a keen interest in the people, places, and things that make this island unique. A life-long knitter, her company Spindrift Handknits produces over 30 regular hand-knit wool products across a diverse product line. The business is supported by rural knitters throughout the island who make extensive use of traditional patterns that have been handed down through generations.

You can download the pdf version of the case study right here. 

And, you can listen to an interview with Christine and Shirley "Shirl the Purl" Scott here.

This is part of a series of case studies examining the links between living heritage, traditionality, entrepreneurism, and community economic development in Newfoundland and Labrador. For more information, contact Dale Jarvis at dale@heritagenl.ca. Photo courtesy Christine Le Grow.

Tuesday's #FolklorePhoto: Textiles in St. Anthony Bight

Ruth Pilgrim holds a knitting project, St. Anthony Bight. Photo by Lisa Wilson. 2010

Today's Folklore Photos come from St. Anthony collection on Memorial University's Digital Archives Initiative. St. Anthony is located on the northeastern tip of Newfoundland's Great Northern Peninsula. This site was first given the name of 'St. Anthony Haven' in 1532, for the way in which the area operated as a safe landing point for fishing fleets. The region was initially settled based on the fact that there were rich cod fishing grounds in the vicinity, a move that helped to establish a productive fishery that would last for several centuries. Despite the eventual collapse of the cod fishery, St. Anthony has had many development successes, making it a vital service center for residents of the broader GNP region.

Another important feature of St. Anthony is the community's historic affiliation with the legacy of Dr. Grenfell. Wilfred Thomason Grenfell (1865-1940) - a British doctor-arrived in St. Anthony in 1892 as a medical missionary, sent by The Royal National Mission to Deep Sea Fishermen. Within a year of his arrival, Dr. Grenfell commenced building a medical system that eventually grew to serve the regions of Northern Newfoundland and Labrador. As his medical mission grew, his mandate expanded to include the development of schools, cooperatives, industrial work projects, an orphanage, and other social programs. One such program involved utilizing local textile-based craft skills to help sustain the region's economy. Grenfell style embroidered coats and hooked rugs with Grenfell inspired designs are being produced by residents of the Great Northern Peninsula to this day. These objects are now referred to as being a part of the 'Grenfell tradition' and can be seen and purchased at Grenfell Handicrafts, located in St. Anthony.

The St. Anthony inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as patchwork quilts, knitted items, and Grenfell-style hooked rugs. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices.

If you want to learn more about this collection click here and if you want to listen to an interview with Ruth Pilgrim about rug-hooking, knitting, painting, quilting, cross-stitching, and crocheting click here.

Hooked mat of a school house belonging to Ruth Pilgrim, St. Anthony Bight. Photo by Lisa Wilson. 2010

A caribou scene painted by Ruth Pilgrim, St. Anthony Bight. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Embroidery, and Knitting with Mary Bussey

Close-up of an embroidered panel for a quilt, St. Lunaire-Griquet. Photo by Lisa Wilson. 2010

Today's Folklore Photos come from St. Lunaire-Griquet collection on Memorial University's Digital Archives Initiative. St. Lunaire-Griquet is scenic community located about twenty minutes north of St. Anthony on Newfoundland's Great Northern Peninsula. It is a community of approximately 1000 residents, spread across a region that was once two distinct communities. During the 1950s, sudden development in the area precipitated the conjoining of St. Lunaire and Griquet into one incorporated town-site. Unlike the vast majority of GNP communities, St.-Lunaire-Griquet has always seen a continual rise in population rather than a decline, with exception to the cod moratorium years, which invariable saw many people leave their homes to pursue work elsewhere. It is often said that the local post office marks the spot where the two communities come together.

The French began visiting this region as early as the 16th century, in order to exploit the renowned cod fishery. Despite the early arrival of these seasonal fishermen, the vicinity was not officially mapped until 1784, when the infamous French sailor Liberge de Granchain pursued the undertaking. He is still remembered for his work in the area, by an island near St. Lunaire Bay that bears his name. Granchain Island still holds evidence of the French presence, by the archaeological remains of French bread ovens that can be observed on the site.

The St. Lunaire-Griquet inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as embroidered and pieced quilts, knitted items, and Grenfell-style coats. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices.

If you want to learn more about this collection click here and if you want to listen to an interview with Mary Bussey about textiles click here or to hear about changes to the Northern Peninsula click here.

Crochet pillow made by Mary Bussey's mother, St. Lunaire-Griquet. Photo by Lisa Wilson. 2010

A pair of slippers knitted by Mary Bussey, St. Lunaire-Griquet. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Crafting in Black Duck Cove

Blanche Dredge stands next to her table of crafts in her home, Black Duck Cove. Photo by Lisa Wilson. 2010.

Today's Folklore Photos come from The Straits collection on Memorial University's Digital Archives Initiative. The Strait of Belle Isle is a geographic region on the northwest coast of Newfoundland's Great Northern Peninsula. Colloquially know as 'The Straits,' this coastal strip runs from the community of Plum Point in the south, to Eddies Cove East at the northernmost tip.

Between these two locales, several small communities dot the coast. Families first arrived at The Strait of Belle Isle in the 1880s, to exploit the salmon fishery and perhaps set up a base for the fur trade. Early inhabitants were there seasonally, but by 1884, permanent settlers arrived and began fishing for cod, herring, and began sealing practices as well. Although resources may have shifted in value, abundance and importance, over the years, the local drive to work the land and sea has remained consistent. While the cod fishery ultimately saw its demise in the 1990s, forms of this industry continue to fuel the local economy today. In Anchor Point, for instance, many of the residents continue to work as fish harvesters, or alternately in the shrimp plant, which employs upwards of 150 people each season.

The Straits inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as sealskin boots, Newfoundland Quilts, knitted socks, and embroidered cloth. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices. Straits communities present in this collection include Green Island Brook, Pines Cove, Bird Cove, Black Duck Cove, Eddies Cove East, Anchor Point, Sandy Cove, and Flower's Cove. Flower's Cove, due to its comparably large population, has been given its own community inventory on the DAI.

If you want to learn more about this collection click here and if you want to listen to an interview with Blanche Dredge about life in Black Duck Cove click here for part one, and here for part two.

Five polar bears hooked mat made by Blanche Dredge, Black Duck Cove. Photo by Lisa Wilson. 2010

A toilet paper holder in plastic canvas made by Blanche Dredge, Black Duck Cove. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Hooking Away

Dale Wells assembles her mat hooking frame, St. Anthony. Photo by Lisa Wilson. 2010

Today's Folklore Photos come from St. Anthony collection on Memorial University's Digital Archives Initiative. St. Anthony is located on the northeastern tip of Newfoundland's Great Northern Peninsula. This site was first given the name of 'St. Anthony Haven' in 1532, for the way in which the area operated as a safe landing point for fishing fleets. The region was initially settled based on the fact that there were rich cod fishing grounds in the vicinity, a move that helped to establish a productive fishery that would last for several centuries. Despite the eventual collapse of the cod fishery, St. Anthony has had many development successes, making it a vital service center for residents of the broader GNP region.

Another important feature of St. Anthony is the community's historic affiliation with the legacy of Dr. Grenfell. Wilfred Thomason Grenfell (1865-1940) - a British doctor-arrived in St. Anthony in 1892 as a medical missionary, sent by The Royal National Mission to Deep Sea Fishermen. Within a year of his arrival, Dr. Grenfell commenced building a medical system that eventually grew to serve the regions of Northern Newfoundland and Labrador. As his medical mission grew, his mandate expanded to include the development of schools, cooperatives, industrial work projects, an orphanage, and other social programs. One such program involved utilizing local textile-based craft skills to help sustain the region's economy. Grenfell style embroidered coats and hooked rugs with Grenfell inspired designs are being produced by residents of the Great Northern Peninsula to this day. These objects are now referred to as being a part of the 'Grenfell tradition' and can be seen and purchased at Grenfell Handicrafts, located in St. Anthony.

The St. Anthony inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as patchwork quilts, knitted items, and Grenfell-style hooked rugs. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices.

If you want to learn more about this collection click here and if you want to listen to an interview with Dale Wells about quilting and knitting click here.

A nautical themed quilt made by Dale Wells, St. Anthony. Photo by Lisa Wilson. 2010

A tie dyed quilted wall hanging made by Dale Wells, St. Anthony. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Handmade Quilts and Guitars

Marie and Oliver Reid pose for a photo in their livingroom, Roddickton. Photo by Lisa Wilson. 2010

Today's Folklore Photos come from the Roddickton collection on Memorial University's Digital Archives Initiative. Roddickton is a community located between Main Brook and Englee on the eastern side of Newfoundland's Great Northern Peninsula.

This community got its start with help from the Grenfell Mission when in 1906, when they built a sawmill operation in the region. Setting up this land-based industry was a direct attempt to address the uncertainties of the fishing industry. Previous to this development, the Main Brook area was known as Easter Brook and was mostly used by residents of Englee as hunting and fishing grounds. The name Roddickton was given to the new settlement in honor of a Grenfell Mission supporter named Thomas G. Roddick. The town was officially incorporated under the name of Roddickton in 1953.

The sawmill history of Roddickton is one riddled with contrasting times of growth and decline. The original sawmill only lasted until the early 1920s-a closure that saw most of the residents evacuated. This economic slump was temporary, however, as within four years, the Bowater Company moved into Roddickton to establish new mill operations. This industry motivated consistent growth for the community until the 1970s when Bowater too, was forced to shut down. Roddickton now operates as a service center for the greater region, helping to sustain the local population.

The Roddickton inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as the Newfoundland Quilt, patch work quilts, and knitted items. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices.

If you want to learn more about this collection click here and if you want to listen to an interview with Marie and Oliver Reid about knitting, quilting, taxidermy, and homemade guitars click here.

A painted Newfoundland quilt made by Marie Reid, Roddickton. Photo by Lisa Wilson. 2010

A guitar made by Oliver Reid, Roddickton. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Textiles in St. Lunaire-Griquet

Louise Bussey poses with her patchwork leaf quilt, St. Lunaire-Griqeut. Photo by Lisa Wilson. 2010.

Today's Folklore Photos come from St. Lunaire-Griquet collection on Memorial University's Digital Archives Initiative. St. Lunaire-Griquet is scenic community located about twenty minutes north of St. Anthony on Newfoundland's Great Northern Peninsula. It is a community of approximately 1000 residents, spread across a region that was once two distinct communities. During the 1950s, sudden development in the area precipitated the conjoining of St. Lunaire and Griquet into one incorporated town-site. Unlike the vast majority of GNP communities, St.-Lunaire-Griquet has always seen a continual rise in population rather than a decline, with exception to the cod moratorium years, which invariable saw many people leave their homes to pursue work elsewhere. It is often said that the local post office marks the spot where the two communities come together.

The French began visiting this region as early as the 16th century, in order to exploit the renowned cod fishery. Despite the early arrival of these seasonal fishermen, the vicinity was not officially mapped until 1784, when the infamous French sailor Liberge de Granchain pursued the undertaking. He is still remembered for his work in the area, by an island near St. Lunaire Bay that bears his name. Granchain Island still holds evidence of the French presence, by the archaeological remains of French bread ovens that can be observed on the site.

The St. Lunaire-Griquet inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as embroidered and pieced quilts, knitted items, and Grenfell-style coats. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices.

If you want to learn more about this collection click here and if you want to listen to an interview with Louise Bussey about textile projects including quilts and parkas click here.

An embroidered Grenfell coat made by Louise Bussey, St. Lunaire-Griquet. Photo by Lisa Wilson. 2010

Close-up of a patchwork Canada goose quilt made by Louise Bussey, St. Lunaire-Griquet. Photo by Lisa Wilson. 2010

Tuesday's #FolklorePhoto: Seal Skin Slippers

Doreen Noseworthy poses with a pair of sealskin boots that she made, Green Island Brook. Photo by Lisa Wilson. 2010.

Today's Folklore Photos come from The Straits collection on Memorial University's Digital Archives Initiative. The Strait of Belle Isle is a geographic region on the northwest coast of Newfoundland's Great Northern Peninsula. Colloquially know as 'The Straits,' this coastal strip runs from the community of Plum Point in the south, to Eddies Cove East at the northernmost tip. 

Between these two locales, several small communities dot the coast. Families first arrived at The Strait of Belle Isle in the 1880s, to exploit the salmon fishery and perhaps set up a base for the fur trade. Early inhabitants were there seasonally, but by 1884, permanent settlers arrived and began fishing for cod, herring, and began sealing practices as well. Although resources may have shifted in value, abundance and importance, over the years, the local drive to work the land and sea has remained consistent. While the cod fishery ultimately saw its demise in the 1990s, forms of this industry continue to fuel the local economy today. In Anchor Point, for instance, many of the residents continue to work as fish harvesters, or alternately in the shrimp plant, which employs upwards of 150 people each season.

The Straits inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as sealskin boots, Newfoundland Quilts, knitted socks, and embroidered cloth. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices. Straits communities present in this collection include Green Island Brook, Pines Cove, Bird Cove, Black Duck Cove, Eddies Cove East, Anchor Point, Sandy Cove, and Flower's Cove. Flower's Cove, due to its comparably large population, has been given its own community inventory on the DAI.

If you want to learn more about this collection click here and if you want to listen to an interview with Doreen Noseworthy about the process of making seal skin boots, slippers, and mittens click here.

Doreen Noseworthy demonstrates how to make sealskin boot pleats, Green Island Brook. Photo by Lisa Wilson. 2010.

Doreen Noseworthy demonstrates how to make pleats in sealskin, Green Island Brook. Photo by Lisa Wilson. 2010.

Tuesday's #FolklorePhoto: Knitting in Bird Cove

Annette Myers poses with her knitting, Bird Cove. Photo by Lisa Wilson. 2010.

Today's Folklore Photos come from The Straits collection on Memorial University's Digital Archives Initiative. The Strait of Belle Isle is a geographic region on the northwest coast of Newfoundland's Great Northern Peninsula. Colloquially know as 'The Straits,' this coastal strip runs from the community of Plum Point in the south, to Eddies Cove East at the northernmost tip. 

Between these two locales, several small communities dot the coast. Families first arrived at The Strait of Belle Isle in the 1880s, to exploit the salmon fishery and perhaps set up a base for the fur trade. Early inhabitants were there seasonally, but by 1884, permanent settlers arrived and began fishing for cod, herring, and began sealing practices as well. Although resources may have shifted in value, abundance and importance, over the years, the local drive to work the land and sea has remained consistent. While the cod fishery ultimately saw its demise in the 1990s, forms of this industry continue to fuel the local economy today. In Anchor Point, for instance, many of the residents continue to work as fish harvesters, or alternately in the shrimp plant, which employs upwards of 150 people each season.

The Straits inventory is part of a founding collection for the Great Northern Peninsula Textiles Archive and Learning Center. This project, based in Conche, NL, is an on-going initiative to document and preserve the textile-based crafts that are being created on Newfoundland's Northern Peninsula. The items in this collection were gathered between May and July of 2010 and include photographs of textile craft objects such as sealskin boots, Newfoundland Quilts, knitted socks, and embroidered cloth. This inventory also includes audio clips of craftspeople discussing their particular textile-based skills and practices. Straits communities present in this collection include Green Island Brook, Pines Cove, Bird Cove, Black Duck Cove, Eddies Cove East, Anchor Point, Sandy Cove, and Flower's Cove. Flower's Cove, due to its comparably large population, has been given its own community inventory on the DAI.

If you want to learn more about this collection click here and if you want to listen to an interview with Annette Myers about life in Bird Cove, knitting, crocheting, and selling textiles click here.

A sweater Annette Myers made for her husband, Bird Cove. Photo by Lisa Wilson. 2010.

Dark pink winter hat made by Annette Myers, Bird Cove. Photo by Lisa Wilson. 2010.

Living Heritage Podcast Ep083 Chronicling Craft Traditions

Don MacLean grew up on Cape Breton Island and attended St. Francis Xavier University and Memorial University. He retired in 2015 after a 32 year career as a fisheries biologist with the Inland Fisheries Division of the Nova Scotia Dept. of Fisheries and Aquaculture. He has written professionally since 1999, and his columns and articles on sport fishing, natural history and traditional crafts have appeared in a variety of newspapers and magazines. He is the author of two books, Discover Nova Scotia Sportfishing and A Little Thing I Tied Myself-Stories of Atlantic Canadian Fly Tiers. Don and his wife Judy live in Pictou, Nova Scotia.

In this podcast, we discuss Don’s new book project on traditional arts and crafts, the history and regional variations of fly-tying, the resurgence and vitality of craft traditions, and Don’s quest to find a tin kettle maker.

Listen on the Digital Archive:
http://collections.mun.ca/cdm/singleitem/collection/ich_oral/id/716/rec/1

Living Heritage Podcast Ep078 Seals, Culture, and Craft

Clare Fowler grew up on Bell Island. She spent time working in fish plants and other food processing plants before moving to Ontario in 1999 to do the Chiropody Program at the Michener Institute for Applied Health. She moved to St. John’s in 2004 and worked for a decade before switching gears and following her passions for art and craft. She completed the Textile: Craft and Apparel Design program with College of the North Atlantic in 2016 and is now a full time crafts person and maker with an open studio at the Quidi Vidi Village Craft Plantation. Her body of work focuses on the use of seal fur and seal leather.

In this podcast, we talk about Clare's journey as a craftsperson and maker, her work with seal fur and leather, the craft program at the Anna Templeton Centre in St. John’s, National Seal Products Day, and future work on seal art and documenting and learning bark tanning and sealskin boot making on the Northern Peninsula.

Visit Clare Dawn Couture on Facebook

Listen on the Digital Archive:

http://collections.mun.ca/cdm/singleitem/collection/ich_oral/id/710/rec/1

Handcrafted Heritage - a conference for museum and craft lovers! #nlheritage

Each year the Museum Association of Newfoundland and Labrador has a conference that is attended by individuals from museums across Canada and the province of Newfoundland and Labrador. The conference provides a comfortable environment for delegates to meet, share, and express ideas and topics of concern with one another. This year our Conference, on "Handcrafted Heritage", will be held on October 2-3, 2015 at the Ramada Hotel in St. John's, Newfoundland.

At the Conference on Friday October 2nd there will be an option of two workshops:

Option one is "Our History in Pictures", presented by Mary Ellen Wright, of ANLA (Association of Newfoundland & Labrador Archives). She will discuss the conservation, display, storage and copyright of photographs in collections.

Option two is "Project Management", presented by the Department of Business, Tourism, Culture and Rural Development. They will discuss the useful tools, sample processes, exercises, case studies, management plans and project planning tips involved with project management.

There will also be an opening reception Friday night at 7:00 -9:00 p.m. at the Craft Council of Newfoundland and Labrador's Devon House Craft Centre (59 Duckworth Street) for a members' update, refreshments, music and more!

On Saturday, October 3, we will be offering a variety of conference sessions. Throughout the day the sessions will focus on craft and its relation to museums, whether through the gift shop, interpreting craft for programming or forming partnerships with craftspeople. The conference will also feature an AGM and luncheon for delegates. This is the chance for the election of officers and presentation of annual reports, certificates, and awards. If you are interested in being a part of our team or would like to find out more on our awards program, please contact the office.

Submit the 2015 "Handcrafted Heritage" Registration Form to register today.  We look forward to hearing from you!

Sarah Wade
Professional Development Coordinator

Museum Association of Newfoundland and Labrador
P. 709.722.9034 | manl@nf.aibn.com
F. 709.722.9035 | www.manl.nf.ca
P.O. Box 5785 | St. John's, NL | A1C 5X3
* https://www.facebook.com/museumassociationofnl

Living Heritage Podcast Ep001 Christine LeGrow, Spindrift Handknits

It is official! The new Living Heritage Podcast is up and running, and ready for a listen!

Living Heritage is about people who are engaged in the heritage and culture sector, from museum professionals and archivists, to tradition bearers and craftspeople - all those who keep heritage alive at the community level. We talk about their work, their passions, and the day-to-day safeguarding of culture and tradition.

Ep. 001 - Christine LeGrow - Spindrift Handknits

Christine LeGrow is the owner of Spindrift Handknits. Christine was born and raised here and has a keen interest in the people, places and things that make this island of Newfoundland unique. In this interview, Christine talks about learning knitting skills, traditions related to craft, patterns, socks and trigger mitts, sources of wool, and her wishes for the future of heritage in Newfoundland.



###

The Living Heritage Podcast is about people who are engaged in the heritage and culture sector, from museum professionals and archivists, to tradition bearers and craftspeople - all those who keep history alive at the community level. 
The show is a partnership between HeritageNL and CHMR Radio. Theme music is Rythme Gitan by Latché Swing.